Dance research in Italy
Article Abstract:
A small group of dance researchers is emerging in Italy despite the minimal opportunities for this field and the lack of training available in colleges or universities. Several Italian dance historians, such as Alessandro Pontremoli, Patrizia La Rocca and Andrea Francalanci have published works and conducted workshops on dance research. The Accademia Nazionale di Danza includes theoretical work in its requirements for students, while the Villa I Tatti in Florence and the Comitato Nazionale Italiano Music provides research materials on dance.
Publication Name: Dance Research Journal
Subject: Arts, visual and performing
ISSN: 0149-7677
Year: 1995
User Contributions:
Comment about this article or add new information about this topic:
Dialogue: dance history - current methodologies
Article Abstract:
Dance history is on an inferior footing compared to its sister disciplines. There is a dearth of first-rate scholars doing original research or dealing with pre-20th century periods. Simplistic approaches in research will not help dance history as a serious academic subject or contribute to the funding of dance research. There needs to be a dialogue between archival historians and deconstructionists or poststructuralists. The poststructuralists show the link between the dance form and its discourse.
Publication Name: Dance Research Journal
Subject: Arts, visual and performing
ISSN: 0149-7677
Year: 1996
User Contributions:
Comment about this article or add new information about this topic:
In memoriam: Irene Alm
Article Abstract:
Irene Alm, was an active contributor to dance history and cleared many queries through her research on dance and theatrical music. In her memory, an annual award was named as the Irene Alm Memorial Prize by the Society for seventeenth-century music.
Publication Name: Dance Research Journal
Subject: Arts, visual and performing
ISSN: 0149-7677
Year: 2001
User Contributions:
Comment about this article or add new information about this topic:
- Abstracts: Testing creativity of dance students in the Peoples Republic of China. "I feel like I'm going to take off!": young people's experiences of the superordinary in dance
- Abstracts: In search of a secular in contemporary Indian dance: A continuing journey. Bharatanatyam as a global dance: Some issues in research, teaching and practice
- Abstracts: The arabesque: a compositional design. The Italian style and the period. The teaching of Victor Gsovsky in Berlin, 1926-1936, as seen by Lilian Karina
- Abstracts: Swaying to an Indian beat . . . Dola goes my diasporic heart: Exploring Hindi film dance. Korea society of dance conference